‘there was no hint of a superfluous movement to mar the tranquility of Neena Prasad’s recent Mohiniyattam performance in New Delhi...’
‘When the dance stems from a still centre‚ with the assertive self completely merged in the larger entity of that state–of–being one is evoking through the art‚ the performance acquires a dimension of dhwani or resonance. It is this rare quality that placed Neena Prasad’s Mohiniyattam in a different plane...’
‘The pride of a woman wronged was very clear in the soulful dance interpretation (Sakuntala). And the piercingly moving music in a string of melodies.... enhanced the richness of bhava..’
